James Joyce

irischa Schriftstäia

Da James Joyce [ˌdʒeɪmz ˈdʒɔɪs] (* 2. Feba 1882 z Dublin; † 13. Jenna 1941 z Zirich) wor a irischa Dichda und Schriftsteja. Ea guit ois oana vo de wichtigstn Autorn vo da literarischn Modeane. Sei bekanntasdes Weak is da Roman Ulysses. Wegweisende Schrift san aa de Kuazgschichtn Dubliner, da Roman Finnegans Wake und de Novejn A Portrait of the Artist as a Young Man.

James Joyce (uma 1918)

Ea is in Dublin afgwoxn und hod do a studiad. Mid 22e is aa af Kontinental-Eiropa ausgwandad und hod voa oim z Triest, Paris und Zirich glebd. Obwoi ea de moaste Zeid vo seim Lem weit wegga vo Dublin glebd hod, hom se seine Gschichtn olle um Dublin bzw. de Leid vo Dublin drahd. Ea hod sejm dazua gschriem: "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."[1]

Afgrund vo seina speziejn Vazejtechnik gejtn de Schriftn vom James Joyce ois schwaar bzw. gor ned z ibasetzn. Bsondas markant bei eam is de Vawendung vom stream of consciousness ("Gedanknstrom", "innara Monolog"). De Technik hod ea zwor ned eafundn, oba perfektioniad. Des lezde Kapitl vo "Ulysses" bstähd beispuisweis nua aus de Gedankn vo da Marion ("Molly") Bloom, da Frau vo da Haptfigua Leopold Bloome (gschriem ohne Punkt und Komma bzw. ohne irgendwejchane Interpunktionszoachn). Markant is aa de Mischung vo an Haffa literarische Technikn.

Schriftn vom James Joyce

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Dubliners, 1914
  • Chamber Music (poems, 1907)
  • Dubliners (short-story collection, 1914)
  • Portrait of the Artist as a Young Man (novel, 1916)
  • Exiles (play, 1918)
  • Ulysses (novel, 1922)
  • Pomes Penyeach (poems, 1927)
  • Collected Poems (poems, 1936)
  • Finnegans Wake (novel, 1939)
Posthum
  • Stephen Hero (precursor to A Portrait; written 1904–06, published 1944)
  • Giacomo Joyce (written 1907, published 1968)
  • Letters of James Joyce Vol. 1 (Ed. Stuart Gilbert, 1957)
  • The Critical Writings of James Joyce (Eds. Ellsworth Mason and Richard Ellmann, 1959)
  • The Cat and the Devil (London: Faber and Faber, 1965)
  • Letters of James Joyce Vol. 2 (Ed. Richard Ellmann, 1966)
  • Letters of James Joyce Vol. 3 (Ed. Richard Ellman, 1966)
  • Selected Letters of James Joyce (Ed. Richard Ellmann, 1975)
  • The Cats of Copenhagen (Ithys Press, 2012)

Literatua

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  • Derek Attridge: The Cambridge Companion to James Joyce. 2nd ed. Cambridge UP, Cambridge / New York 2004, ISBN 978-0-521-83710-1.
  • Bernard Benstock (Hrsg.): Critical Essays on James Joyce. G. K. Hall, Boston 1985, ISBN 0-8161-8751-7.
  • Harold Bloom: James Joyce. Chelsea House, New York 1986, ISBN 0-87754-625-8.
  • Gordon Bowker: James Joyce: a biography, London: Weidenfeld & Nicolson, 2011, ISBN 978-0-297-84803-5
  • Julie Sloan Brannon: Who Reads Ulysses?: The Rhetoric of the Joyce Wars and the Common Reader. New York: Routledge, 2003, ISBN 978-0-415-94206-5.
  • Joseph Brooker: Joyce’s Critics: Transitions in Reading and Culture. Madison: University of Wisconsin Press, 2004, ISBN 0-299-19604-6.
  • Richard Brown (Hrsg.): A Companion to James Joyce. Malden, MA: Blackwell, 2008, ISBN 978-1-4051-1044-0.
  • Eric Bulson: The Cambridge Introduction to James Joyce. Cambridge and New York: Cambridge UP, 2006, ISBN 978-0-521-84037-8.
  • Thomas Edmund Connolly: James Joyce’s Books, Portraits, Manuscripts, Notebooks, Typescripts, Page Proofs: Together With Critical Essays About Some of His Works. Lewiston, NY: Edwin Mellen, 1997, ISBN 0-7734-8645-3.
  • Edmund L. Epstein (Hrsg.): Mythic Worlds, Modern Words: On the Art of James Joyce/Joseph Campbell. Novato, CA: Josephe Campbell Foundation, New World Library, 2003, ISBN 978-1-57731-406-6.
  • A. Nicholas Fargnoli, Michael Patrick Gillespie: Critical Companion to James Joyce: A Literary Reference to His Life and Work. Rev. ed. New York: Checkmark Books, 2006, ISBN 978-0-8160-6689-6.
  • Gisele Freund, V.B. Carleton: Preface by Simone de Beauvoir. James Joyce: His Final Years. Harcourt, Brace & World, Inc., 1965. Library of Congress Catalog Card Number: 65-21029.
  • Matthew Hodgart: James Joyce: A Student’s Guide. London and Boston: Routledge, 1978, ISBN 0-7100-8817-5.
  • Ellen Carol Jones, Beja Morris (Hrsg.): Twenty-First Joyce. Gainesville: University Press of Florida, 2004, ISBN 978-0-8130-2760-9.
  • Sebastian D. G. Knowles et al. (Hrsg.): Joyce in Trieste: An Album of Risky Readings. Gainesville: University Press of Florida, 2007, ISBN 978-0-8130-3033-3.
  • Frank C. Manista: Voice, Boundary, and Identity in the Works of James Joyce. Lewiston, NY: Edwin Mellen, 2006, ISBN 978-0-7734-5522-1.
  • Laurent Milesi (Hrsg.): James Joyce and the Difference of Language. Cambridge and New York: Cambridge UP, 2003, ISBN 0-521-62337-5.
  • Nash, John. James Joyce and the Act of Reception: Reading, Ireland, Modernism. Cambridge and New York: Cambridge UP, 2006, ISBN 978-0-521-86576-0.
  • Patrick O’Neill: Polyglot Joyce: Fictions of Translation. Toronto and Buffalo: University of Toronto Press, 2005, ISBN 978-0-8020-3897-5.
  • David Pierce: Reading Joyce. Harlow, England and New York: Pearson Longman, 2008, ISBN 978-1-4058-4061-3.
  • Jean-Michel Rabate: Palgrave Advances in James Joyce Studies. New York: Palgrave Macmillan, 2004, ISBN 978-1-4039-1210-7.
  • Robert Scholes: In Search of James Joyce. Urbana: University of Illinois Press, 1992, ISBN 0-252-06245-0.
  • Michael Seidel: James Joyce: A Short Introduction. Malden, MA: Blackwell, 2002, ISBN 0-631-22702-4.
  • Bruce Stewart: James Joyce. Very Interesting People series, no. 11. Oxford: Oxford UP, 2007, ISBN 978-0-19-921752-6.
  • William York Tindall: A Reader’s Guide to James Joyce. London: Thames & Hudson, 1959, 1960, and 1963.

Dubliners

  • Bernard Benstock: Narrative Con/Texts in Dubliners. Urbana: University of Illinois Press, 1994, ISBN 978-0-252-02059-9.
  • Harold Bloom: James Joyce’s Dubliners. New York: Chelsea House, 1988, ISBN 978-1-55546-019-8.
  • Bosinelli Bollettieri, Rosa Maria, Harold Frederick Mosher (Hrsg.): ReJoycing: New Readings of Dubliners. Lexington: University Press of Kentucky, 1998, ISBN 978-0-8131-2057-7.
  • Oona Frawley: A New & Complex Sensation: Essays on Joyce’s Dubliners. Dublin: Lilliput, 2004, ISBN 978-1-84351-051-2.
  • Clive Hart: James Joyce’s Dubliners: Critical Essays. London: Faber, 1969, ISBN 978-0-571-08801-0.
  • Earl G. Ingersoll: Engendered Trope in Joyce’s Dubliners. Carbondale: Southern Illinois UP, 1996, ISBN 978-0-8093-2016-5.
  • Margot Norris (Hrsg.): Dubliners: Authoritative Text, Contexts, Criticism. New York: Norton, 2006, ISBN 0-393-97851-6.
  • Andrew Thacker (Hrsg.): Dubliners: James Joyce. New Casebook Series. New York: Palgrave Macmillan, 2006, ISBN 978-0-333-77770-1.

A Portrait of the Artist as a Young Man

  • Harold Bloom: James Joyce’s A Portrait of the Artist as a Young Man. New York: Chelsea House, 1988, ISBN 1-55546-020-8.
  • Philip Brady, James F. Carens (Hrsg.): Critical Essays on James Joyce’s A Portrait of the Artist as a Young Man. New York: G. K. Hall, 1998, ISBN 978-0-7838-0035-6.
  • Gerald Doherty: Pathologies of Desire: The Vicissitudes of the Self in James Joyce’s A Portrait of the Artist as a Young Man. New York: Peter Lang, 2008, ISBN 978-0-8204-9735-8.
  • Julienne H. Empric: The Woman in the Portrait: The Transforming Female in James Joyce’s A Portrait of the Artist as a Young Man. San Bernardino, CA: Borgo Press, 1997, ISBN 978-0-89370-193-2.
  • Edmund L. Epstein: The Ordeal of Stephen Dedalus: The Conflict of Generations in James Joyce’s A Portrait of the Artist as a Young Man. Carbondale: Southern Illinois UP, 1971, ISBN 978-0-8093-0485-1.
  • Marguerite Harkness: Portrait of the Artist as a Young Man: Voices of the Text. Boston: Twayne, 1989, ISBN 978-0-8057-8125-0.
  • William E. Morris, Clifford A. Nault (Hrsg.): Portraits of an Artist: A Casebook on James Joyce’s Portrait. New York: Odyssey, 1962.
  • David Seed: James Joyce’s A Portrait of the Artist as a Young Man. New York: St. Martin’s Press, 1992, ISBN 978-0-312-08426-4.
  • Weldon Thornton: The Antimodernism of Joyce’s A Portrait of the Artist as a Young Man. Syracuse, NY: Syracuse UP, 1994, ISBN 978-0-8156-2587-2.
  • Mark A. Wollaeger (Hrsg.): James Joyce’s A Portrait of the Artist as a Young Man: A Casebook. Oxford and New York: Oxford UP, 2003, ISBN 978-0-19-515075-9.
  • Hiromi Yoshida: Joyce & Jung: The „Four Stages of Eroticism“ in A Portrait of the Artist as a Young Man. New York: Peter Lang, 2007, ISBN 978-0-8204-6913-3.

Exiles

  • Ruth Bauerle, Connie Jo Coker: A Word List to James Joyce’s Exiles. New York: Garland, 1981, ISBN 978-0-8240-9500-0.
  • John MacNicholas: James Joyce’s Exiles: A Textual Companion. New York: Garland, 1979, ISBN 978-0-8240-9781-3.

Ulysses

  • Bruce Arnold: The Scandal of Ulysses: The Life and Afterlife of a Twentieth Century Masterpiece. Rev. ed. Dublin: Liffey Press, 2004, ISBN 1-904148-45-X.
  • Derek Attridge (Hrsg.): James Joyce’s Ulysses: A Casebook. Oxford and New York: Oxford UP, 2004, ISBN 978-0-19-515830-4.
  • Bernard Benstock: Critical Essays on James Joyce’s Ulysses. Boston: G. K. Hall, 1989, ISBN 978-0-8161-8766-9.
  • Harry Blamires: The New Bloomsday Book. Routledge, 1996, ISBN 0-415-13858-2
  • Enda Duffy: The Subaltern Ulysses. Minneapolis: University of Minnesota Press, 1994, ISBN 0-8166-2329-5.
  • Ellmann, Richard. Ulysses on the Liffey. New York: Oxford UP, 1972, ISBN 978-0-19-519665-8.
  • Marilyn French: The Book as World: James Joyce’s Ulysses. Cambridge, MA: Harvard UP, 1976, ISBN 978-0-674-07853-6.
  • Michael Patrick Gillespie, A. Nicholas Fargnoli (Hrsg.): Ulysses in Critical Perspective. Gainesville: University Press of Florida, 2006, ISBN 978-0-8130-2932-0.
  • Samuel Louis Goldberg: The Classical Temper: A Study of James Joyce’s Ulysses. New York: Barnes and Noble, 1961 and 1969.
  • Suzette Henke: Joyce’s Moraculous Sindbook: A Study of Ulysses. Columbus: Ohio State UP, 1978, ISBN 978-0-8142-0275-3.
  • Terence Killeen: Ulysses Unbound: A Reader’s Companion to James Joyce’s Ulysses. Bray, County Wicklow, Ireland: Wordwell, 2004, ISBN 978-1-869857-72-1.
  • Margaret MacBride: Ulysses and the Metamorphosis of Stephen Dedalus. Lewisburg, PA: Bucknell UP, 2001, ISBN 0-8387-5446-5.
  • Bernard McKenna: James Joyce’s Ulysses: A Reference Guide. Westport, CT: Greenwood Press, 2002, ISBN 978-0-313-31625-8.
  • John Mood: Joyce’s Ulysses for Everyone: Or How to Skip Reading It the First Time. Bloomington, IN: AuthorHouse, 2004, ISBN 978-1-4184-5105-9.
  • Niall Murphy: A Bloomsday Postcard. Dublin: Lilliput Press, 2004, ISBN 978-1-84351-050-5.
  • Margot Norris: A Companion to James Joyce’s Ulysses: Biographical and Historical Contexts, Critical History, and Essays From Five Contemporary Critical Perspectives. Boston: Bedford Books, 1998, ISBN 978-0-312-21067-0.
  • William M. James Schutte: Index of Recurrent Elements in James Joyce’s Ulysses. Carbondale: Southern Illinois UP, 1982, ISBN 978-0-8093-1067-8.
  • Jeffrey Segall: Joyce in America: Cultural Politics and the Trials of Ulysses. Berkeley: University of California, 1993, ISBN 978-0-520-07746-1.
  • Paul Vanderham: James Joyce and Censorship: The Trials of Ulysses. New York: New York UP, 1997, ISBN 978-0-8147-8790-8.
  • Thornton Weldon: Allusions in Ulysses: An Annotated List. Chapel Hill: University of North Carolina Press, 1968 and 1973, ISBN 978-0-8078-4089-4.

Finnegans Wake

  • Richard Beckman: Joyce’s Rare View: The Nature of Things in Finnegans Wake. Gainesville: University Press of Florida, 2007, ISBN 978-0-8130-3059-3.
  • Sheldon Brivic: Joyce’s Waking Women: An Introduction to Finnegans Wake. Madison: University of Wisconsin Press, 1995, ISBN 978-0-299-14800-3.
  • Luca Crispi, Sam Slote (Hrsg.): How Joyce Wrote Finnegans Wake: A Chapter-By-Chaper Genetic Guide. Madison: University of Wisconsin Press, 2007, ISBN 978-0-299-21860-7.
  • Roland McHugh: Annotations to Finnegans Wake. 3rd ed. Baltimore: Johns Hopkins UP, 2006, ISBN 978-0-8018-8381-1.
  • Len Platt: Joyce, Race and Finnegans Wake. Cambridge and New York: Cambridge UP, 2007, ISBN 978-0-521-86884-6.

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  1. Ellman, p. 505, citing Power, From an Old Waterford House (London, n.d.), pp. 63–64